Kim Minichiello

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Venice Bound

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It's getting close!  I've been planning a trip to Venice for almost a year now.  When I was invited to join a group of artists that mentor each other in our art businesses,  I had no idea it would lead to such a bonding friendship with them all and a retreat in Venice, Italy!

WAM: Women Artists Mentors are meeting face to face all of us together in one place in Venice, Italy next week.  If you would like to follow our adventures, you can like my Facebook page here, and our WAM page here.  I've only met Helen Beacham in person, so I am thrilled to meet the three dimensional versions of Carrie Waller, Maria Bennett Hock, and Debra Kierce, since I've only spent time with them two dimensionally on the computer! We are piggybacking on the tail end of a workshop Helen has been teaching this week.

Upon our return we are going to be guests on Linda Fisler's Art Chat Podcast, on May 18.  Linda has done a great podcast for a few years interviewing many artists.  She also started the Artist Mentors Online program with Kevin Macpherson, a while back.   Some of Linda's recent guest artists, include Tony Pro, Jean Pederson, Susan Lyon, Joseph McGurl and so many others!  The interview will be recorded if you can't listen live and will be available at Linda's site in the  Art Chat Library section after the air date.  I'm really excited for the opportunity to chat with Linda when we get back.

Canaletto, The Bucentaur Returning to the Molo on Ascension Day, after the Ceremony of Wedding the Adriatic, a section of entire work

In the spirit of Venice I thought I would share some of Canaletto's work.  A painter from the 16th century he was famous for his urban landscapes of Venice.  I saw an outstanding show of his work last summer in Aix en Provence at the Caumont Centre D'Art.  I had only seen a few paintings here and there in various museums but to see a collection of his work in this grand scale was a once in a lifetime opportunity.  What I love about his work is the historical significance of getting a feel for Venice in the 1700's when it was the playground of all the aristocrats of Europe.  Canaletto also traveled to Britain and documented London and the English countryside during the reign of George III who was a patron and avid collector of his work.

Canaletto, The Bucentaur Returning to the Molo on Ascension Day, after the Ceremony of Wedding the Adriatic, a section of entire work

The Bucentaur was the Doge's state barge, a floating palace propelled by 42 oars, used for official events. It was used every year on Ascension Day to take the Doge out to the Adriatic Sea to perform a wedding ceremony marrying the sea to Venice. Quite the spectacle!